Decorative panels
by Ananbô
Decorate, hang, frame… have fun!
This season, Ananbô has decided to explore new substrates with a collection of decorative panels in resolutely graphic designs printed on natural hemp.
Single panels you may hang wherever your desire takes you, install them as a single panel or combine different panels. Some of these may even be installed horizontally.
A novelty to discover in the Ananbô Showroom
18 rue des Saints-Pères, 75007 Paris.
OPENING HOURS
Monday 2pm – 7pm
Tuesday – Saturday 11am – 7pm
+33(0)183790850
Sales and shipping in France and all over the world
Shipping within 3 days
Professional orders : Only upon quote, contact us.
Les Graphiques
A collection all about prints, movements, strokes. A game of graphic impressions.
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Simané
Strokes, rows, sticks. An almost organic ordered rhythm.
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Kibô
The point, the circle as universal and perfect design, game of chance of uneveness, and suddenly imperfection makes perfect sense.
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Bimbilâ
A labyrinth design, mezmerizing and graphic.
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Toyô
Exploring the curved line, the flexibility of the branches of the wave. A very vegetal decorative design.
Les Indiennes Couleurs
A tangy and gourmet version of the floral Indienne design in the colourways absinthe, prune or honey. One single panel or why not try a trio?
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Indienne vert vieilli (absinthe, aged)
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Indienne jaune vieilli (honey, aged)
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Indienne mauve vieilli (prune, aged)
Les Indiennes noir et blanc
A collection all about stamps, gestures and strokes. A game of graphic prints.
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Indienne Beige
Flowers and fruits stylized as the traditional Indienne designs. A vegetal tracery of naive designs, drawn in ink.
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Ispahan
The naive flowers of the Ispahan design as a free exploration of Art Deco floral patterns.
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Poiret
A free reinterpretation, kind of tribute to the gorgeous La Perse coat, drawn by Raoul Dufy for Paul Poiret.
Les Japonisants
Japanes style panels – Gold bambou frame The sensivity of floral designs we can see on Japanese screens or window shades. As if the botanical design has been painted directly on the substrate. We retrieve the delicacy and the poetry of the stamps, the finesse of the gesture.
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Oshî
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Toyô
